Both the American and the French choreographer began their careers in the s and are considered two of the most influential artists of their generation. In the work of these year-olds, dance history resonates — memories intertwine with imagination. In steal you for a momentMeg Stuart continues her collaboration with Francisco Camacho. The Portuguese performer danced in her first piece, and in she created the solo BLESSED for him, a work that dealt with the climate crisis. According to the program notes, the starting point for this duet was the Nuragic ruins in Sardinia — mysterious remnants of a vanished culture. However, none of this is visible on stage. Instead, objects made of plywood Gefilterd Water Kantoor Huren scattered across the Radialsystem stage. What unfolds is a continual process of reconfiguration: the artifacts are shifted and rearranged. His body takes on the appearance of a fragile construct, and soon enough, the precarious little tower collapses. Amidst scenes of quiet humor, there are also tender moments. Despite the theme of impermanence, the dancers find solace in their friendship. Stuart and Camacho work together seamlessly. His angular movements give him the appearance of a comic book character at times, while her silver mane and melancholy air evoke the image of a sorrowful clown. When Camacho offers her a miniature pyramid as though it were a precious gift, she gazes at him, bewildered. The two play with their little forms like children in a sandbox, waving papyrus reeds, communicating in a secret sign language, and navigating through emotional landscapes. They are outstanding performers, but by the end, the duet loses its focus and veers into overly personal territory. The choreographers and dancers Meg Stuart and Francisco Camacho lose themselves performatively in their friendship in steal you for a moment. Inspiration is fleeting - it can be found everywhere, but its traces are lost. Choreographers and dancers Meg Stuart and Francisco Camacho sought inspiration for their creation steal you for a moment in Sardinia. The stone towers of the Bronze Age Nuragic culture reign there, mighty statues guarding gigantic tombs, with design elements such as spiral shapes. A pendulum hangs from the ceiling, sand is piled up and grasses are stuck to the back wall like a scrapbook. In this scenario, Stuart and Camacho — who met 35 years ago in New York, Gefilterd Water Kantoor Huren been friends ever since and have worked together time and again — unearth emotional artifacts as if they were archaeological treasures. What is the artistic result of a friendship? How can we effectively present our private relationship on stage for others? There are no clear answers, steal you for a moment remains closed to us. At first, the US-American, who has lived in Berlin for 20 years, and the Portuguese, who runs a production house in Lisbon, perform without touching — sitting stiffly next to each other, toppling over like mannequins. Later, there is a comic duet of gestures and vocalizations, and Meg Stuart, who is a great comedian, scolds Camacho, who kindly hands her a pyramid as a gift. She excels at unexpected, surprising movements — as she carries in her body the result of decades of improvisation and exchange with other artists. Her movements are soft, not quite as elastic as they used to be, but lightning fast. When Camacho brings her a pile of sand, she looks stern, then suddenly turns one of the hollow forms around, transforming it from a sculpture to a sand mold. He is always on stage himself, building landscapes out of wooden figurines or projecting a laser grid across the action, which creates a maze of green lines that slowly tilts to one side. At some point, Meg Stuart briefly makes contact with the audience, not all of whom stay until the end. You can tell from the laughter how grateful everyone is for this moment that breaks through the devout contemplation of art. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you Gefilterd Water Kantoor Huren we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. They can compare their own ideas of intimacy and mutual success with a performance in which two exceptional artists have remained completely wrapped up in themselves and away from us.
Dat je daar als klant of resident of artiest ergens deel van wilt uitmaken in plaats van gewoon tijdelijk op bezoek te zijn. And then it got legs is geen how to -handboek voor aspirerende dramaturgen en choreografen. This time it is a woman who speaks to us about the world and her youth, about a love scene between her grandparents that she witnessed. Sometimes recognizable motifs shine through, but nothing seems to be heading towards anything concrete. Read the full article. That interpretation probably skews too much towards a happy end to fit a piece by Meg Stuart.
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Ab sofort können Sie gemeinsam mit Kollegen, Familie oder Freun- den in entspannter Atmosphäre und unter Anleitung eines talentier-.Je observeert continu en noteert indrukken en invallen. Meg Stuart and Francisco Camacho are still, or perhaps more than ever, an extraordinary pair on stage. In the end, when Stuart and Camacho lie on their backs and send an intimate dialogue into the room - I was in love with you when we first met, she says; this is how friendship can begin, he replies - the audience is once again left out. Voor zijn lezingen verzamelt Wouters doorgaans een enigszins willekeurige verzameling beelden van zijn werk. She strokes her hand along the cello without touching it, gently, almost sensually. Company Contact us Careers Terms of service Privacy policy Cookie policy Cookie settings Imprint. Lange Str. You catch fleeting snatches of meaning—a brief melody, a fragment of dialogue—only for it to vanish just as quickly. Someone with a helmet makes signs with his fingers: numbers, letters from another civilization? Dat is een heel raar gevoel, als je zelf weet hoe precair dit nog steeds is, ook financieel, en hoe snel het kan instorten. Natürliche Limonadensirupe Auch die Erfrischungsgetränke in Ihrer Gastronomie können nachhaltiger und schmackhafter sein. Entrakt wou dit pand ook hebben, maar dan heeft de regio ons eens diep in de ogen gekeken en ons vertrouwen geschonken. All the Way Around traces material and ideas from a long career in dance, coming together in a fluid form. This is followed by more choppy dancing, there's a little tussling on the slippery slope, until the rhythm falters again and everything freezes. Doorgaans is er dan stilzwijgend al heel wat beslist over het budget of de logistieke randvoorwaarden. Holding your breath, breathing a sigh of relief. Gaandeweg rukken ze zich steeds meer los van dat ritme. That is clear from her first movements, right after the bow has been placed on the strings of that double bass. He brings some levity when he depicts world events as a wavelike motion, as "up and down" - and the dancers behind him bob "up and down" on the air cushions. En ik voel me sterker als we dat samen kunnen doen. Driven by robotic spasms, by a desire to run as fast as possible, by irrepressible screams, they evolve in a disorder which exceeds them and in which they struggle to build something. Ik heb tot nu toe altijd tijdelijkheid aanvaard als exchange voor autonomie. Performing this action will revert the following features to their default settings:. Da's heel uniek aan deze stad, hoor. De nadruk ligt op: how did I , of liever, how did we? One of the dancers wears a motorcycle helmet and a leotard; he addresses the audience by making signs with his hands, straight as a rod. Throughout the performance, electronic sounds hum through the space, like erratically tuned radio waves. This new production is called Steal You for a Moment. Dromen zoals: kunnen vliegen, astronaut zijn, gewichtloos zijn, ten huwelijk gevraagd worden, marsmannetje zijn, terug kunnen dansen als een puber, opnieuw gewiegd worden als een baby, DFK : It was an evening with light art and live music. Boven het podium hangen twee visnetten vol beige brokstukken. We moeten deze weken leren hoe gesloten of open de deur moet zijn.
